to my talented and famed friend<+CLARENCE JOHN LAUGHLIN+
master of the exotic<^^^^^^^
+NEW YEAR GREETINGS+
to my wonderful friends in and of<+
especially of the "ancient regime"
like john and tania messina and<
robin lobdell beeman who<^^^^^^^^^^^^
+
how important the yucatan was<
to my design consciousness<^^^^^^^^^^^^
+AUGUSTUS LE PLONGEON+
(>google : my essays)
is the great french explorer i would<
have loved to have known and<^^^^^^^^^^^^^
i am grateful to remember<+ROBERT WAUCHOPE+
famed tulane archaeologist<
and<+GERTRUDE (TRUDY) BLUM+
widow of the legendary franz blum<
important tulane archaeologist<^^^^^^^^^^^^^^
+EXOTIC 1960-1970+
yucatan maya essence met egyptian<
in the research of le plongeon but<
also my new orleans oeuvre<^^^^^^^^^^^^^^
+"EXPLORERS GIFT SHOP"+
(chartres street, vieux carre<
near degruy/roy houses<)^^^^^^^
+WAS MY INITIAL NOLA DESIGN+
to express color/light/energy<^^^^^^^^^^^^
+(YUCATAN EXOTICS)+
^^^^
this was for the traylor brothers<
who i built the radiant concept<+"TRAYLOR APARTMENT"+
published in "american home"<
followed by the most vital<^^^^^^^^^^^^
+"JAZZ WORKSHOP"+
published in the times picayune<
sunday rotogravure section<^^^^^^^^^^
+TONIGHT'S PHOTOS+
(>radiant exotic influences in<
my work and teaching<)^^^^^^^^^
influence is found in my exhibitions<+COLOR=LIGHT=
always prominent and importent<(>biotronic energy increasingly<)
^^^^^^^^^^^
presentations were vital in offering<
the many factors found in my<+EXOTIC OEUVRE+
(three screen presentations<
on three continents<)^^^^^^
this, i consider the essence of my<
nola radiant tropic architecture<+
the warm southerly winds<^^^^^^^^^^^
references at sdsu on the class table<
where i spread out each morning<+GRAPHICS=BOOK=
synergising the message<^^^^^^^^
dynamic tensile resilient structure<
for the city park of new orleans<+
designed in california for the<
park expansion project<^^^^^^^^
+
attention my thnoc friends<+FASCINATING HISTORY+
^^^^^^^^^
very few scholars are aware that<+AUGUSTUS LE PLONGEON+
actually came to new orleans for<
the cotton centenial fair and<^^^^^^^^^
+WANTED TO BUILD A MAYA+
(temple replica)<+STRUCTURE FOR THAT+
+MAGNIFICENT FAIR+
^^^^^^
that influenced lafcadio hearn and<
george staigg (my grandfather<
who became a cotton factor)<^^^^^^^^^^^^^^^
+WHEN THE FIRST ELECTRIC+
city of new orleans<+LIGHTS WERE TURNED ON+
^^^^^^^^^^^
gene ray, lajolla, california
eugene ray, mfa, architect<professor emeritus, sdsu<
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