Eugene Ray SDSU 1970's

Eugene Ray SDSU 1970's
Eugene Ray 1970's. photo credit: Tom Davis

Friday, September 26, 2014

TECHNOLOGY OF THE GODS / incredible sciences of the ancients


+EXTRATERRESTRIALS+
>as we read and hear constantly is the<
>real meaning for the term "gods" in<
^^^^^^^^^^^^^^^^^^^^^^
+"TECHNOLOGY OF THE GODS+
>the incredible sciences of the ancients"<
^^^^^^^^^^^^^^^^^^^^^^^^^^
+BY DAVID HATCHER CHILDRESS+
>as an impressive book that corroborates<
>the monumental book by our scholarly,<
>dedicated hong kong friend entitled…<
+"THE GODS MACHINES"+
+> (WUN CHOK BONG)+
^^^^^^^^^^^^^^^^^^^^
>combined w/ the master machinist<
+CHRISTOPHER DUNN'S+
>excellent technical research book<
+"LOST TECHNOLOGIES+
+OF ANCIENT EGYPT"+
^^^^^^^^^^^^^^^^^^
>together these three impressive books<
>emphasize the extraterrestrial linkage<
+(ANCIENT EGYPT WAS+
+MADE W/ ET VISION)+
>into the>fantastics<of ancient egypt<
^^^^^^^^^^^^^^^^^^^^^
 >i had the pleasure to discuss wun chok bong's<
>great book "the gods machines" w/ david<
+(DAVID CHILDRESS BOOK+
+AGREES w/ W.C. BONG)+
>childress, author of this excellent book &<
>david agreed this is a >profound< work<
^^^^^^^^^^^^^^^^^^^^^^^^^^
 >the world of the great cosmic architect bruce<
>goff was bright w/ the music of the radiant<
+(CLAUDE DEBUSSY WAS+
+A SCHOLAR OF EGYPT)+
>french composer claude debussy who i<
>love also for his priory-de-sion history<
^^^^^^^^^^^^^^^^^^^^^^^^^
 >claude debussy was fascinated w/ akhenaten<
>the great visionary et influenced artist king<
+(AKHENATEN INSPIRED+
+>>CLAUDE DE BUSSY)+
>of ancient egypt and in 1912 composed an<
>exotic ballet >khamma<inspired by egypt<
^^^^^^^^^^^^^^^^^^^^^^^^^^
                                      
>the elongated et skulls of akhenaten's children<
>remind me how much bruce goff lived in the<
+(I TOOK BRUCE GOFF TO+
+MITHRAS for RECORDS)+
>world of cosmic conscious music & that we<
>gifted each other 331/3 recordings in 1970<
^^^^^^^^^^^^^^^^^^^^^^^^^^^^
 >dave fobes and i shared lunch today and i<
>wanted him to know how important this<
+(DJED PILLAR DEVICE /+
+>BIOTRONIC ENERGY)+
>djed pillar device is to the future of<
>mankind on our special planet earth<
^^^^^^^^^^^^^^^^^^^^^^^^^^^^
 >the walls of rooms in ancient egyptian homes<
>glowed w/ radiant color patterns that gave<
+(RADIANT COLOR IN+
+>ANCIENT EGYPT)+
>egyptian homes a transcendental quality<
^^^^^^^^^^^^^^^^^^^^^^^^^
 >the better quality ancient egyptian family homes<
>were rich in artistry inside & marvelous garden<
+(ARCADIAN DESIGN WAS+
+>PARADISE ON EARTH)+
>design outside, rich w/ tropic plant "jungles"<
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
 >artistry and aesthetics was of the highest order<
>in the ancient egyptian civilization and the<
+(FEMALE >RADIANCE< was+
+VITAL in ANCIENT EGYPT)+
>beauty of the women was very special<
^^^^^^^^^^^^^^^^^^^^^^^^^^^
 >cinema cannot fully express the poweful synergy<
>that the ancient egyptians were able to create in<
+(EGYPT DIDN'T see CINEMA+
+THEY>LIVED< in CINEMA)+
>dramatic settings radiant w/ biotronic energy<
^^^^^^^^^^^^^^^^^^^^^^^^^
 >the ancient egyptian kings wore giant conical<
>hats that expressed their earthly powers and<
+(CONES ARE the SUPERIOR+
+>BIOTRONIC EXPANDER)+
>expanded their consciousness via biotronics<
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
 >it was the expertise of master machinist<
>christopher dunn who pointed out that<
+(ONLY ET MACHINES+
+COULD CARVE THIS)+
>only machines (that egypt didn't have)<
>could carve the heads @ abu symbol<
^^^^^^^^^^^^^^^^^^^^^^^^^^
 >wun chok bong has explained and graphically<
>illustrated thoroughly the tremendous power<
+(ANCIENT OBELISKS AS /+
+ET CRAFT ENERGISERS)+
>of ancient egyptian obelisks biotronically<
>(many believe they charged space craft)<
^^^^^^^^^^^^^^^^^^^^^^^^^
>i am personally fascinated by ancient egyptian<
>hieroglyphics (from sumerian) and especially<
+(ROSWELL and RENDELSHAM +
+CRASHES had HIEROGLYPHS)+
>their linkage to hieroglyphics that have been<
>seen on several UFO space craft in history<
^^^^^^^^^^^^^^^^^^^^^^^^^^^
+SYNCHRONICITY+
>it was in my home town of baton rouge<
>that stanton freidman made contact w/<
+(DR. JESSE MARCEL JR+
+MADE GRAPHICS OF /+
+the HIEROGLYPHICS)+
>jesse marcel whose son made a graph<
>of the roswell crash hieroglyphics<
^^^^^^^^^^^^^^^^^^^^^^
+DR MARCEL'S LAST INTERVIEW+
+>IS AVAILABLE ON"YOUTUBE"+
>(dr marcel died on<
>aug. 23rd, 2013)<
+W/ HIEROGLYPH GRAPHICS+
+HE COPIED @11 YRS of AGE+
^^^^^^^^^^^^^^^^^^^^^
eugene ray, mfa, architect
professor emeritus, sdsu

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