Eugene Ray SDSU 1970's

Eugene Ray SDSU 1970's
Eugene Ray 1970's. photo credit: Tom Davis

Sunday, November 1, 2015

DRUMS IN THE NIGHT / all souls night in new orleans cemetaries

+HALLOWEEN WAS POWERFUL+
>(nola latin links were dynamic<
>w/>strong afro-maya radiance)<
+IN NOLA & FUELED THE ARTS+
^^^^^^^^^^^^^^^^^^^^^^^

+"SYNERGETIC ENVIRONMENTS"+
>our friend, professor dave fobes used to say was<
>his favorite< among the >classes i developed for<
+(GOOGLE : EUGENE RAY+
+ / WINNING PROJECTS)+ 
>environmental design< >(architecture) >for sdsu<
>(aia wouldn't allow arch title >but we beat them<
>in >several head on competitions in southern ca)< 
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

+"DAY OF THE DEAD"+
+(MEXICAN VERSION)+
>is what they call our "all souls" celebration in<
>new orleans /  >candles are lighted on creole<
+(GOOGLE : EUGENE RAY+
+/ CREOLE CEMETARIES)+
>tombs that have been >freshly white washed as<
>i remember >going out w/ our aunt for this task<
^^^^^^^^^^^^^^^^^^^^^^^^^^
 >as you know, in new orleans, >light became<
>a >special medium in architecture for me and<
+(GOOGLE : EUGENE RAY+
+ / NOLA TRAYLOR APT)
>became the basis for >biotronic energy work<
>later in california / synergetic environ design<
^^^^^^^^^^^^^^^^^^^^^^^^^^^
 >when i >lived in new orleans the people<
>raised enough funds to purchase a degas<
+(GOOGLE :> EUGENE RAY /+
+DEGAS IN NEW ORLEANS)+
>painting of the >blind wife of his brother<
>rene who >sadly left her< for a neighbor<
^^^^^^^^^^^^^^^^^^^^^^^
 >new orleans possessed many cultural and<
>spiritual creole factors that linked our life<
+(GOOGLE : EUGENE RAY+
+>/ METAPHYSICAL ART)+
>and work back to a  >french heritage that<
>became a basis for metaphysical graphics<
^^^^^^^^^^^^^^^^^^^^^^^
 >in some of these >graphics the architecture<
>became a >bright, fresh, radiant contrast to<
+(GOOGLE : EUGENE RAY /+
+NOLA JUNGLE & RUINS)+
>the jungle and ruins that i found for photos<
>as i walked miles in the back streets of nola<
^^^^^^^^^^^^^^^^^^^^^^^^^

 >in new orleans the >french african cultural<
>milieu was a  >dynamic alchemy that gave<
+(GOOGLE : EUGENE RAY+
+ / HECTOR HYPPOLITE)+
>metaphysical graphics< links w/ the french<
>west indies /  >(haiti had hector hyppolite)<
^^^^^^^^^^^^^^^^^^^^^^^^^
>ultimately i >discovered in 1965  >melrose<
>plantation on the >cane river in northern  la<
+(GOOGLE : EUGENE RAY+
+> / FRANCOIS MIGNON)+
>created by a  >french dna designer francois<
>mignon who had a powerful organic vision<
^^^^^^^^^^^^^^^^^^^^^^^^
 >the >metaphysical graphics that fueled my<
>art was a >companion to radiant color light<
+(GOOGLE : EUGENE RAY+
+ / RADIANT GRAPHICS)+
>energy design w/ graphics of a similar type<
>galvanizing radiant color collage inventions<
^^^^^^^^^^^^^^^^^^^^^^^

 >in time i have discovered the importance<
>of the >plant kingdom In forests (jungles)<
+(GOOGLE : EUGENE RAY+
+ / THE ORIENT FOREST)+
>that fueled my research & discovery in the<
>french orient forest >(a vital factor in nola)<
^^^^^^^^^^^^^^^^^^^^^

 >a very >rewarding factor of my oeuvre is<
>that i have >embraced our fanily history &<
+(GOOGLE : EUGENE RAY+
+> / FRENCH AMBIENCE)+
>cultural ambience in new orleans & france<
>providing a >vast amount of data for work<
^^^^^^^^^^^^^^^^^^^^^^
 >the last project i >designed and built< in the<
>nola vieux carre was the >jazz workshop &<
+(GOOGLE : EUGENE RAY+
+>>> / JAZZ WORKSHOP)+
>it occurs to me that i >failed to mention that<
+(JAZZ HAS RED &+
+> BLUE RANGES)+
>light in the environ >also had a blue range<
^^^^^^^^^^^^^^^^^^^^^^^^^^^

+OUR BLOG HAS  PROVIDED+
>(ability to see the oeuvre<
>causes< >in perspective<
>many thanks prof fobes)<
+MUCH OVERVIEW ABILITY+
^^^^^^^^^^^^^^^^^^^^
>thanks also to tommy mcintosh<
>neal and lorraine pendleton &<
+(TWO CITY B.D.+
+GOOD WISHES)+
>mary lynn hyde for  b.d.wishes<
>(mary ltnn recuperates surgery)<
^^^^^^^^^^^^^^^^^^^^
eugene ray, mfa, architect
professor emeritus, sdsu










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