MATRIX FOR MAGIC / strategies for radiance

+"STRATEGIES FOR A RADIANT+

>(the art of environmental design)<

+ARCHITECTURE+

+AT THE DAWN OF A NEW+

+CENTURY"+

^^^^^^^^^

>was the title of a three screen slide presentation<

>to explain the cosmic conscious complexity of<

+(BIOTRONIC PROTOTYPES &+

+METAPHYSICAL GRAPHICS)+

>my oeuvre presented to the scholarly group<

^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

+"FRIENDS OF SAN DIEGO+

+ARCHITECTURE"+

^^^^^^^^^^^^^^

>on saturday, march 20, 1993 at "the new<

>school of architecture", downtown s.d.<

 ^^^^^^^^^^^^^^^^^^^^^^^^^

>my three screen slide presentation had been<

+(MY 3 SCREEN PRESENTATION+

+EMPHASIZING BIOTRONICS)+

>given to foreign audiences in many countries<

>and universities here & in two hemispheres<

^^^^^^^^^^^^^^^^^^^^^^^^^

 >the extraterrestrial factor of my personal ufo<
>sighting in 1947 gave the presentation new<
+(MAYAN-ET KNOWLEDGE+
+/ SEE "ANCIENT ALIENS")+
>interest in the source for design concepts<
^^^^^^^^^^^^^^^^^^^^^^^
                                      
>artistry in our family has been very strong<
>and audacious w/ our brother ranny an<
+(RANNY : CREOLE SEER+
+NEW ORLEANS, 1952)+
>inspiration in the search for nirvana<
^^^^^^^^^^^^^^^^^^^^^^^

>my younger brother walker seen here with<
>me easter of 1942 has been a great support<
+(FIVE YEARS LATER THE+
+UFO APPEARED HERE)+
>via his interest in extraterrestrial history<
^^^^^^^^^^^^^^^^^^^^^^^

 >marianne seen here in front of the house<
>where edgar degas stayed in old nola has<
+(FOR JOHN MESSINA+
+WHO WROTE TO ME)+ !
>recorded all of the ancient alien videos<
^^^^^^^^^^^^^^^^^^^^^^^

 >a descendent of the famed san diego<
>architect, irving john gill invited my<
+(BIOTRONIC CONCEPTS+
+WERE A NEW TOPIC)+
>oeuvre lecture in the spring of 1993<
^^^^^^^^^^^^^^^^^^^^^^^

>the architectural vision that came from my<
>ufo sighting of 1947 morphized into our<
+(SDSU STUDENTS WON+
+ALL CALIF. AWARDS)+
>sdsu student winning los angeles prizes<
^^^^^^^^^^^^^^^^^^^^^^^^

>thanks to professor max conrad of lsu design<
>a video was made of my graphic exhibition<
+(METAPHYSICAL GRAPHICS+
+@MY LSU EXHIBITION 1998)+
>before the last lsu lecture of my oeuvre<
^^^^^^^^^^^^^^^^^^^^^^^

>balthus, like picasso, lou kahn and myself<

>had a passion for french castles and was<

+(FELLOW ARTISTS THAT+

+SHARED MY ET VISION)+

>also a scholar of knights templar history<

^^^^^^^^^^^^^^^^^^^^^^^^

                                      
 >although my life in california has galvanized<
>ufo & biotronic research it was an encounter<
+(FRENCH ARTIST SAFARI+
+IN A PAINTED VW BUS)+
>@ d.g. wills books that warmed my heart<
^^^^^^^^^^^^^^^^^^^^^^^^

>the funeral in los angeles was a poignant time<

>but also an illumination in family love and i<

+(JOHN MESSINA=ROBIN BEEMAN+

+DAN HAMMER=GARY CLARK &+

+NEAL PENDLETON EMAILS)+

>am grateful for the emails sent by several of<

>you special, radiant & thoughtful friends<

^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

+SATURDAY, MARIANNE & I LOOK+

+FORWARD TO THE DAVE FOBE'S+

>"not an exit" gallery, 1955 julian ave<

>san diego, 5-8 p.m., (6/28 one night)<

+"RED SEE SCROLLS" EXHIBITION+

^^^^^^^^^^^^^^^^^^^^^^^^^

eugene ray, mfa, architect

professor emeritus, sdsu