FOR DAVE FOBES / my admiration & gratitude

+"THE RED SEE SCROLLS"+

>one night showing of dave fobes<

>recent work is saturday evening<

+A MUST SEE EVENT+ !!!

>and it shall be grand for us all< !

^^^^^^^^^^^^^^^^^^^

+I AM REMINDED OF SO MANY+

+REASONS WHY I ADMIRE+

+DAVE FOBES, ARTIST+

>(all of the first rank)< !!!

+FRIEND, SDSU-ED ALUM+ 

+AND DEVOTED PROF+

^^^^^^^^^^^^^^

>tonights blog is my homage to<

+DEEP GRATITUDE+

>dave for these many reasons<

^^^^^^^^^^^^^^^^^^^^

 >ralph bowman (left) and dave at the lunch<
>which galvanized the beginning of this<
+DAVE the DEVOTED+
>blog which dave administered a year<
^^^^^^^^^^^^^^^^^^^^^^^

>dave's craftsmanship, second to none is<
>seen here in my design for a yogurt<
+DAVE the CRAFTSMAN+
>shop for our friend larry urruttia<
^^^^^^^^^^^^^^^^^^^^

 >i was very impressed when dave took my<
>recommendation and purchased this very<
+DAVE the SCHOLAR+
>important book on biotronic radiance<
^^^^^^^^^^^^^^^^^^^^^^^^

 >ufo and crop circle technology as seen here<
>are subjects i can freely discuss with dave<
+DAVE the UFOLOGIST+
>where with some it is very difficult data<
^^^^^^^^^^^^^^^^^^^^^^^^^

 >chris dunn's transcendent research into<
>egyptian / extraterrestrial technology<
+DAVE the MACHINIST+
>is a subject dave is at home with<
^^^^^^^^^^^^^^^^^^^^^

 >dave was the star of my classes in the<
>early years when we were looking for<
+DAVE the STUDENT+
>housing of a kit of parts affordability<
^^^^^^^^^^^^^^^^^^^^^^^^

 >the famed et-egyptian djed device as seen<
>here w/ eric von danniken is something<
+DAVE the VISIONARY+
>i believe dave will master someday<
^^^^^^^^^^^^^^^^^^^^^^^

 >this ancient cosmic-sumerian time piece,<
>centuries ahead of its time, is the type of<
+DAVE the INVENTOR+
>mechanism dave is capable to construct<
^^^^^^^^^^^^^^^^^^^^^^^^^

 >dave's aid in helping me build the silver<
>ship was superb despite a very small<
+DAVE the BELIEVER+
>budget, difficult site & harsh winter<
^^^^^^^^^^^^^^^^^^^^^^^

>dave and jim bourke assembled the shelves<
>for my library that means so much to me<
+DAVE the PROFESSOR+
>in one fantastic day of craftsmanship<
^^^^^^^^^^^^^^^^^^^^^^^^

>dave's fabulous paintings of his cosmic<

>series won my heart w/ its kinship to<

+DAVE the ARTIST+

>our shared vision for et biotronics<

^^^^^^^^^^^^^^^^^^^^^^

                                     
>dave is an alumnus i feel who would be<
>happy in the company of leonardo in<
+DAVE the FUTURIST+
>his workshop exploring the future<
^^^^^^^^^^^^^^^^^^^^^^^

>dave shall live long enough to explore<
>wormhole time travel evolution as he<
+DAVE the EXPLORER+
>did while in my synergetics class<
^^^^^^^^^^^^^^^^^^^^^
+WHEN I LEAVE THIS PLANET+
>(please see "the red sea scrolls"<
>1955 julian ave, san diego<
>sat., june 28th, 5-8 pm)<
+MY SHOP IS IN GOOD CARE+ !
^^^^^^^^^^^^^^^^^^^^^^
eugene ray, mfa, architect
professor emeritus, sdsu

GRATITUDE TO SDSU / oral history presented on the www

+ORSON WELLES+

>once said "a motion picture studio<

>is the best toy a boy ever had"<

+THIS BLOG IS THAT+

+PROFOUND TOY+ !

^^^^^^^^^^^^^

>thanks to dave fobes, marianne ray, jim bourke<

>mary lynn hyde, tom davis, ralph bowman<

>sherry beaton, tom hart, robin beeman &<

+(ROBERT RAY @ SDSU ARCHIVE+

+& JOHN LAWRENCE @ THNOC)+

>many others of you out there who encourage<

>me in this nightly effort to find the light<

^^^^^^^^^^^^^^^^^^^^^^^^

+TONIGHT'S BLOG IS A GRATITUDE+

>( professor robert ray sdsu archive,<

>/(david fobes, sdsu art dept, aided)<

>interview by prof susan resnick phd,<

+TO SDSU FOR MY ORAL HISTORY+

^^^^^^^^^^^^^^^^^^^^^^^^^^

 >it is synchronistic but unplanned that i researched<
>for five years the history of the degruy(ere) family<
+(BERNARD de CLAIRVAUX /+
+SACRED ARCHITECTURE)+
>of my father's mother and found saint bernard<
^^^^^^^^^^^^^^^^^^^^^^^^^^^

 >synchronistically, bernard de clairvaux provided<
>sacred architecture but also, radiant concepts to<
+FABULOUS LINK W/ GOTHIC+
+DESIGN & TURIN SHROUD+
>my profound cognizance as artist, architect & as<
>a professor entrusted w/ finding a >bright< light<
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

 >the ambience of the de gruy plantation and<
>its knights templar domed sugar house is<
+(SYNCHRONISTICALLY+
+I ADOPTED DOMES)+
>what i discovered after much research<
^^^^^^^^^^^^^^^^^^^^^^^^

 >both orson welles ("mr arkaden" scene here)<
>& jean cocteau have shown the conical hats<
+(CONOIDS GENERATE+
+BIOTRONIC ENERGY)+
>of the spanish penitents in their magic films<
^^^^^^^^^^^^^^^^^^^^^^^^

>odilon redons painting of my grandmother<
>cavaroc's nola creole sister reflects our<
+(CAVAROC DEVOTION TO+
+THE TRANSCENDENTAL)+
>special cavaroc transcendent devotion<
^^^^^^^^^^^^^^^^^^^^^^^^^

>correspondence art metaphysical graphics<
>from the later period (1990-95) had more<
+(FOR PACKET TO FRIENDS+
+JOHN & TANIA MESSINA)+
>dynamics and used color xerography<
^^^^^^^^^^^^^^^^^^^^^^^^

 >correspondence art metaphysical graphics<
>from the earliest period (1970-75) were<
+(FOR PACKET TO FRIEND+
+CLARENCE LAUGHLIN)+
>black & white w/ small corner circles<
^^^^^^^^^^^^^^^^^^^^^^^^

>half of my correspondence art graphics<
>reflected my architectural oeuvre and<
+(PIERUCCI PLANTATION+
+COLLAGE RENDERING)+
>in this case prismacolor over b&w<
^^^^^^^^^^^^^^^^^^^^^^

>pentogram geomancy in the chapel by<
>jean cocteau reflects his devotion to<
+(JEAN COCTEAU CHAPEL /+
+PRIORY DE SION DESIGN)+
>templar, priory-de-sion concepts<
^^^^^^^^^^^^^^^^^^^^^

>leonardo da vinci in a conical hat reflects<
>his transcendent knowledge of cones as<
+(LEONARDO'S COSMIC+
+CONSCOUS DESIGN)+
>generator of biotronic volume energy<
^^^^^^^^^^^^^^^^^^^^^^^^

>devination via cosmic conscious knowledge<
>was a great strength of our brother ranny<
+(COSMIC CONSCIOUS+
+DEVINATION SEER)+
>who was an inspiration to my oeuvre<
^^^^^^^^^^^^^^^^^^^^^^^^^

>marian and marianne (seen here in paris)<
>have been my beautiful, radiant, loving<
+(WIVES AS ESSENCE+
+& RADIANT LIGHT)+
>companions in the search for light<
^^^^^^^^^^^^^^^^^^^^^^^

>the aube river near the bridge crossed by<

>joan de arc accompanied by good king<

+(DEGRUY CHATEAU+

+LOCUS NEAR HERE)+

>rene de anjou enroute to save france<

^^^^^^^^^^^^^^^^^^^^^^^^^

+TONIGHT WE HEARD THE+

+SUSAN RESNICK SOUND+
>(google: eugene ray architect<
>sdsu oral history interview)<

+INTERVIEW OF ME FOR+

>i am so very grateful< !!!

+THE VERY FIRST TIME+ !

^^^^^^^^^^^^^^^^^^

eugene ray, mfa, architect

professor emeritus, sdsu

RENNES LE CHATEAU / blanchefort-dagobert-voisin castle

+CASTLES ARE THE INSPIRATION+

>(strong, spacious, inspiring<

>links w/ cosmic insights<

>perfect artist's studios)<

+FOR RADIANT ARCHITECTURE+

^^^^^^^^^^^^^^^^^^^^^^^^^^

>picasso is buried today at his last castle<

+CHATEAU VAUVENARGUES+

+CASTLE OF PICASSO & THE+

>(anjou/savoy/berenger/gruy)<

+COUNTS OF PROVENCE+

>studio an ancient south of france "pile"<

^^^^^^^^^^^^^^^^^^^^^^^^

+SILVER SHIP STUDIO+

+WAS the ULTIMATE+

>lajolla radiance<

+"CASTLE" STUDIO+

^^^^^^^^^^^^

 >much gratitude to sdsu students who<

>helped me build it and to my family<

+(1980 TO 2005 / VITAL+

+DESIGN CONCEPTS)+

>who shared 25 years there w/ me<

 ^^^^^^^^^^^^^^^^^^^^^^

 >my vineyard chateau decentralized villa<
>for the pierucci family built high above<
+CONSTRUCTION PHOTO /+
+CHILDREN'S WING, 1981+
>the wild animal park at escondido ca<
^^^^^^^^^^^^^^^^^^^^^^
                                      
>two of my california villas inspired by<
>a deep love for french castles such as<
+GOOGLE : EUGENE RAY+
+ROEBLING VILLA+
>picasso's studio at vauvernargues<
^^^^^^^^^^^^^^^^^^^^

>ruinous castles such as the one at rennes<
>le château south of carcasonne have a<
+(ANCIENT GRUY LINK W+
+DAGOBERT TEMPLARS)+
>special place in my lexicon of love<
^^^^^^^^^^^^^^^^^^^^^^^

>magritte like picasso, balthus & many other<
>french painters were fascinated w/ castles<
+(GOOGLE : EUGENE RAY+
+/ KING RENE de ANJOU)+
>& their links w/ troubadour courtly love<
^^^^^^^^^^^^^^^^^^^^^^^^^^^

 >over 100 design drawings, working drawings<
>and studies were made during a year of my<
+(SILVER SHIP WORKING+
+DRAWINGS 1977-78)+
>sabbatical leave from san diego state univ<
^^^^^^^^^^^^^^^^^^^^^^^^

 >the silver ship castle studio home provided<
>many years of radiant genetic memory and<
+GOOGLE : EUGENE RAY+
+/ SILVER SHIP STUDIO+
>links into the cosmos and ancient france<
^^^^^^^^^^^^^^^^^^^^^^^

 >two pages of four featured in the japanese<
+(SAME YEAR as my PARIS+
+BIENNALE EXHIBITION)+
>architectural journal A+U autumn 1985+
^^^^^^^^^^^^^^^^^^^^^^^

 >my sixty plus years of work invokes empathy<
>w/ some of you out there in the deep night of<
+(DEEP EMPATHY w/ 60'S+
+FRIENDS JOHN & TANIA)+
>time/space as we hurtle into our dna destiny<

^^^^^^^^^^^^^^^^^^^^^^^^^^^

 >close friends & alumni jim and mabel bourke<
>woke up one morning in france to see this<
+(SDSU DESIGN GRAD FINDS+
+HISTORY NEAR HIS CAMP)+
>fabulous carcasonne from their camp site<
^^^^^^^^^^^^^^^^^^^^^^^

>the ruinous blanchefort castle at rennes le<
>chateau is a fabulous study for scholars<
+(VOISIN-DAGOBERT LINKS+
+IN THE TEMPLAR CASTLE)+
>who wish to discover templar secrets<
^^^^^^^^^^^^^^^^^^^^^^^

 >father saunter's personal print of the vital<
>"shepherds of arcadia" painting linked<
+(MEROVINGIAN SECRET+
+SCROLLS IN CHURCH)+
>R.L.C. w/ dagobert merovingian dna<
^^^^^^^^^^^^^^^^^^^^^^^

 >at rennes le château one discovers fantastic<
>introduction to the secret world of father<
+(GOOGLE : EUGENE RAY+
+MEROVINGIAN DNA)+
>saunier's link w/ dagobert, templar secrets<
^^^^^^^^^^^^^^^^^^^^^^^^^^
+(NOTE: i just noticed that suzan resnick's<
>SDSU interview w/ me is now found on<
+(MY DEEP GRATITUDE+
+to PROF. ROBERT RAY)+
>the internet via this GOOGLE search)<
^^^^^^^^^^^^^^^^^^^^^^^

+TULANE UNIVERSITY MAGAZINE+
+BRINGS SAD NEWS OF DEATH OF+
>john was our 1967-69 colleague<
>(while earning my mfa degree)<
+ARTIST FRIEND JOHN CLEMMER+
+(JOHN WAS MULTI-TALENTED)+

^^^^^^^^^^^^^^^^^^^^^^^^^

eugene ray, mfa, architect

professor emeritus, sdsu

MATRIX FOR MAGIC / strategies for radiance

+"STRATEGIES FOR A RADIANT+

>(the art of environmental design)<

+ARCHITECTURE+

+AT THE DAWN OF A NEW+

+CENTURY"+

^^^^^^^^^

>was the title of a three screen slide presentation<

>to explain the cosmic conscious complexity of<

+(BIOTRONIC PROTOTYPES &+

+METAPHYSICAL GRAPHICS)+

>my oeuvre presented to the scholarly group<

^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

+"FRIENDS OF SAN DIEGO+

+ARCHITECTURE"+

^^^^^^^^^^^^^^

>on saturday, march 20, 1993 at "the new<

>school of architecture", downtown s.d.<

 ^^^^^^^^^^^^^^^^^^^^^^^^^

>my three screen slide presentation had been<

+(MY 3 SCREEN PRESENTATION+

+EMPHASIZING BIOTRONICS)+

>given to foreign audiences in many countries<

>and universities here & in two hemispheres<

^^^^^^^^^^^^^^^^^^^^^^^^^

 >the extraterrestrial factor of my personal ufo<
>sighting in 1947 gave the presentation new<
+(MAYAN-ET KNOWLEDGE+
+/ SEE "ANCIENT ALIENS")+
>interest in the source for design concepts<
^^^^^^^^^^^^^^^^^^^^^^^
                                      
>artistry in our family has been very strong<
>and audacious w/ our brother ranny an<
+(RANNY : CREOLE SEER+
+NEW ORLEANS, 1952)+
>inspiration in the search for nirvana<
^^^^^^^^^^^^^^^^^^^^^^^

>my younger brother walker seen here with<
>me easter of 1942 has been a great support<
+(FIVE YEARS LATER THE+
+UFO APPEARED HERE)+
>via his interest in extraterrestrial history<
^^^^^^^^^^^^^^^^^^^^^^^

 >marianne seen here in front of the house<
>where edgar degas stayed in old nola has<
+(FOR JOHN MESSINA+
+WHO WROTE TO ME)+ !
>recorded all of the ancient alien videos<
^^^^^^^^^^^^^^^^^^^^^^^

 >a descendent of the famed san diego<
>architect, irving john gill invited my<
+(BIOTRONIC CONCEPTS+
+WERE A NEW TOPIC)+
>oeuvre lecture in the spring of 1993<
^^^^^^^^^^^^^^^^^^^^^^^

>the architectural vision that came from my<
>ufo sighting of 1947 morphized into our<
+(SDSU STUDENTS WON+
+ALL CALIF. AWARDS)+
>sdsu student winning los angeles prizes<
^^^^^^^^^^^^^^^^^^^^^^^^

>thanks to professor max conrad of lsu design<
>a video was made of my graphic exhibition<
+(METAPHYSICAL GRAPHICS+
+@MY LSU EXHIBITION 1998)+
>before the last lsu lecture of my oeuvre<
^^^^^^^^^^^^^^^^^^^^^^^

>balthus, like picasso, lou kahn and myself<

>had a passion for french castles and was<

+(FELLOW ARTISTS THAT+

+SHARED MY ET VISION)+

>also a scholar of knights templar history<

^^^^^^^^^^^^^^^^^^^^^^^^

                                      
 >although my life in california has galvanized<
>ufo & biotronic research it was an encounter<
+(FRENCH ARTIST SAFARI+
+IN A PAINTED VW BUS)+
>@ d.g. wills books that warmed my heart<
^^^^^^^^^^^^^^^^^^^^^^^^

>the funeral in los angeles was a poignant time<

>but also an illumination in family love and i<

+(JOHN MESSINA=ROBIN BEEMAN+

+DAN HAMMER=GARY CLARK &+

+NEAL PENDLETON EMAILS)+

>am grateful for the emails sent by several of<

>you special, radiant & thoughtful friends<

^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

+SATURDAY, MARIANNE & I LOOK+

+FORWARD TO THE DAVE FOBE'S+

>"not an exit" gallery, 1955 julian ave<

>san diego, 5-8 p.m., (6/28 one night)<

+"RED SEE SCROLLS" EXHIBITION+

^^^^^^^^^^^^^^^^^^^^^^^^^

eugene ray, mfa, architect

professor emeritus, sdsu