Eugene Ray Architect: June 2013

Sunday, June 30, 2013

VISIONS IN THE SILVER SHIP

+HOLOGRAPHIC PARADIGM+
>may very well explain how these concepts<

+(RADIANT ARCHITECTURE)+

>came to my psyche via design process<

^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

+DEDICATION+

>to the 5 apprentices who helped me build<

+THE SILVER SHIP+

>this family of drawings were all produced<

+SYNCHRONISTICALLY+

>in that noble structure's lighted studio<

>thanks to your excellent effort<

^^^^^^^^^^^^^^^^^^^^^^

+TONIGHT'S PHOTOS+

>three projects, five drawings, all children<

>of the ultimate of my creative ability<

+FLASH OF LIGHT+

+EVENING SKY+

>as agent of holographic vision<

^^^^^^^^^^^^^^^^^^^^^^^

#1). +DESERT STUDIO+

>rammed earth walls / decentralized<

>conical roofed biotronic units<

^^^^^^^^^^^^^^^^^^^^

>for Diane Reed one of the most brilliant<

>graduate students it has been my<

+HONOR TO TEACH+

^^^^^^^^^^^^^^

>like Alice Anda another brilliant light<

>who was my student assistant<

>in the nineteen nineties<

^^^^^^^^^^^^^^^^^^

>Diane is blessed w/ enlightenment<

+ALICE BAILEY+

>providing her w/ much perception<

^^^^^^^^^^^^^^^^^^^^^^^^^

(>I gave LSU archives a film<

>Diane made of my work<)

^^^^^^^^^^^^^^^^^^

#2). +AFRICAN COMPOUND+

>the expanded plan version of a mobile<

>compound for the anthropology dept<

+UNIV. CAL. BERKELEY+

>for dr.Leakey's old site in Tanzania<

^^^^^^^^^^^^^^^^^^^^^^^^^^^^

#3). +FREEMAN VILLA+

>aerial view of a residence for a<

+NUCLEAR PHYSICIST+

>and family at Morro Bay California<

^^^^^^^^^^^^^^^^^^^^^^^^^^^

#4). +AFRICAN COMPOUND+

>aluminum walled prefabbed<

^^^^^^^^^^^^^^^^^^^^^

>original smaller version of a mobile<

>compound for anthropology dept<

>Univ. Of Calif.Berkeley<

^^^^^^^^^^^^^^^^

#5). +FREEMAN VIlLLA+

>floor plan of a California Villa for a<

>nuclear physicist and his family<

>at Morro Bay, California<

^^^^^^^^^^^^^^^^^

+GRAPHICS+

>all drawings by my hand<

+PRISMACOLOR+

>pencil on Litho Negative prints<

^^^^^^^^^^^^^^^^^^^^^^

+THE HISTORIC NEW ORLEANS+

+COLLECTION & SDSU TO+

>posthumous<

+SHARE MY OEUVRE+

^^^^^^^^^^^^^^^

>our talented/noble alumnus<

+DAVE FOBES+

>to administer my archive for<

>publication & exhibition<

^^^^^^^^^^^^^^^^^^^

Eugene Ray, mfa, Architect

professor emeritus, sdsu

Saturday, June 29, 2013

TREE OF LIFE = ET-DNA SOURCE=FLEUR de LYS

+OSIRUS LEGEND+

>the great egyptian god we remember<

>was the source of a temple built <

(+TREE OF LIFE+

+LOTUS LILIES+)

>in Paris where now stands<

+ST SULPICE+

>w/ it's famous occult links<

(> google my essays<)

^^^^^^^^^^^^^

+SANSOUCI FOREST+

>memories are rich with the lessons of<

+NATURE IS OUR BEST GUIDE+

^^^^^^^^^^^^^^^^^^^^^^^^^

+OZONE+

>the natural bi-product of forests<

>was a powerful nourisher<

>to our daily existence<

^^^^^^^^^^^^^^^^^

+GOOGLE+

>Eugene Ray / Degruy<
>Sansouci Forest<

+ALSO+

>Eugene Ray / Degruy<

>Orient Forest<

^^^^^^^^^

+LIGHTS OUR HISTORY+

>with two<

+RADIANT FORESTS+

^^^^^^^^^^^^^^^

+TONIGHT'S PHOTOS+

>referenced to many ancient societies<

+TREES OF LIFE+

>link us to the source of our blood's<

+EXTRATERRESTRIAL+

+ORIGINS+ !

^^^^^^^

#1). +TREE OF LIFE "A"+

>remind us that the cradle of humanity<

>is in the Tigris & Euphrates river<

+VALLEY FORESTS+

^^^^^^^^^^^^^

#2). +TREE OF LIFE "B"+

>remind us of the power of the<

+HOLOGRAPHIC+

>universe to link our origins<

^^^^^^^^^^^^^^^^^^^^

#3). +TREES OF LIFE "C" & "D"+

>remind us that ancient societies had<

>a long history of travel over<

+VAST DISTANCE+

^^^^^^^^^^^^

#4). +TREES OF LIFE "E" & "F"+

>remind us that the great historian<

+ZECHARIA SITCHIN+

>produced many books linking<

>Sumera to the Planets<

^^^^^^^^^^^^^^^

#5). +FLEUR de LYS+

>the great symbol of French people<

>can be traced to the cosmic<

+TREE OF LIFE+

>and linked to the stars<

>via ancient sumeria<

^^^^^^^^^^^^^^^^

+REFERENCES+

>a must read (in addition to Sitchen is<

+OUR OCCULTED HISTORY+

>by Jim Marrs<

^^^^^^^^^

>each page is dense with well<

>researched history/data<

^^^^^^^^^^^^^^^^^

+WUN CHOK BONG+

+CHRISTOPHER DUNN+

>and<

+DAVID CHILDRESS+

^^^^^^^^^^^^^^^

>writings corroborate everything<

>leading you to the stars<

+GOOD NIGHT+

^^^^^^^^^^^

Eugene Ray, mfa, Architect

Professor Emeritus, sdsu

Friday, June 28, 2013

HOLOGRAPHIC PARADIGM SYNCHRONICITY

+CREOLE MEMORY+

>the ancestral plantation as an influence<

>in my design for the Iran library was<

+SYNCHRONISTIC+

>reflecting the holographic paradigm<

>inherent in genetic memory<

^^^^^^^^^^^^^^^^^^^^^

+REFERENCE+

^^^^^^^^^

+"THE HOLOGRAPHIC UNIVERSE"+

>by Michael Talbot<

^^^^^^^^^^^^^^

+SYNCHRONICITY+

>says Michael Talbot is a product<
>of this holographic paradigm<

^^^^^^^^^^^^^^^^^^^^

+KNIGHTS TEMPLAR+

>genetic memory synchronicity influence<

(+RADIANT ARCHITECTURE+)

>in my design for circular structure<

>has long been clear to me<

^^^^^^^^^^^^^^^^^^^^

+SYNCHRONISTICALLY+

>did you see Jim Marrs on television<

>two nights ago discussing the<

! +KNIGHTS TEMPLAR+ ! ?

>(ref: Gruy & Sacred Architecture)<

^^^^^^^^^^^^^^^^^^^^^^^^

+TONIGHT'S PHOTOS+

>focus on the holographic paradigm<

+SYNCHRONICITY+

>influencing my architecture<

^^^^^^^^^^^^^^^^^^^^^

#1). +SAULET PLANTATION+

>ancestral house in it's last days<

^^^^^^^^^^^^^^^^^^^^^^^^^

+SAULET-DeGRUY MEMORY+

>DeGruy cousin Mary Lou Christovich has<

>w/ the brilliant historian Samuel Wilson<

>and others produced the great series<

+NEW ORLEANS ARCHITECTURE+

^^^^^^^^^^^^^^^^^^^^^^^^^^^^

(>The Lower Garden District, vol 1<

>covers this ancestral house<)

^^^^^^^^^^^^^^^^^^^^

#2). +ST TAMMANY PARISH+

>original<

+COURTHOUSE+

>our dear friend Robin Lobdell Beeman<

>grew up here as her family home<

^^^^^^^^^^^^^^^^^^^^^^^^^^^

+POETIC MEMORY+

(>seen here after her parents<

+RADIANCE+

>had left this planet earth<)

^^^^^^^^^^^^^^^^^^

#3). +PAHLAVI LIBRARY+

>front elevation rendering study<

>prismacolor on ozalid print<

^^^^^^^^^^^^^^^^^^^^

#4). +SAULET PLANTATION+

>ancestral house in it's glory days<

>rendering by Boyd Cruise<

^^^^^^^^^^^^^^^^^^^

(>Francois Joseph Verloin DeGruy<

+3RD GENERATION+

> married Marie Eloise Saulet<)

^^^^^^^^^^^^^^^^^^^^

(>they inherited the<

+TEMPLAR+

>domed sugar mill<) !

^^^^^^^^^^^^^

#5). +PAHLAVI LIBRARY+

>front elevation rendering study<

>prismacolor on blueprint<

^^^^^^^^^^^^^^^^^

+GOOGLE+

>Eugene Ray Architect<

+IRAN LIBRARY+

^^^^^^^^^^^

+SOLAR HEATING+

>and structural glass are part<

>of the innovative concept <

^^^^^^^^^^^^^^^^^^^

+NOTE+

>Mario Lara and Yoshi Matsuhisa<

>built an excellent model of this<

+PAHLAVI LIBRARY+

^^^^^^^^^^^^^^

Eugene Ray, mfa, Architect

Professor emeritus, sdsu

^^^^^^^^^^^^^^^^^

Thursday, June 27, 2013

RADIANT MEMORIES of a CREOLE ARCHITECT

+FRENCH TROPIC SYNDROME+

>my brand of organic architecture was unique<

>to it's origins in the Mexican Gulf region<

>and the influences of my genetics<

^^^^^^^^^^^^^^^^^^^^^^^^^^^

+GRATITUDE+

> I am grateful for messages yesterday from<

+JUDGE HUNTER+

>who I met at Melrose Plantation and <

+DIRK SUTRO+

>who wrote that kind article about me<

>for the Los Angeles Times<

^^^^^^^^^^^^^^^^^^^^^

+FRIENDS FOREVER+

>Judge Hunter had sent me a generous<

>gift of a Cavaroc House graphic and<

>Dirk earned my respect for his<

>perceptive ARTS writing<

^^^^^^^^^^^^^^^^^^^

+TONIGHT'S PHOTOS+

>are inspired by those kind messages<

>reminding me of our creole blood<

>links and my pedagogical life<

^^^^^^^^^^^^^^^^^^^^^^^

#1). +GENETIC MEMORY+

>this typical New Orleans French Creole<

+18th C. WEST INDIES+

+PLANTATION+

>was located in the Garden District<

>locus of several DeGruy linked<

>sugar plantation houses<

^^^^^^^^^^^^^^^^^^^

+GOOGLE+

>Eugene Ray / DeGruy<

+FOUCHER+

>also<

+CHARLES GAYAREE+

^^^^^^^^^^^^^^^^

>Dirk Sutro would enjoy reading the scholarly<

>account of life on Degruy Foucher cousins<

+CHARLES GAYARRE SCHOLAR+

+FOUCHER-GRUY COUSIN+

>plantation published in Harpers Weekly<

^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

#2). +INDIAN TEMPLE+

>typical of the one located on the DeGruy<

+BARATARIA+

>jungle Indian mound sugar plantation<

>with Jean Lafitte associations<

^^^^^^^^^^^^^^^^^^^^^^

+GOOGLE+

>Eugene Ray / Degruy<

+BARATARIA+

^^^^^^^^^

#3). +IRAN NATIONAL LIBRARY+

>my design in the Pahlavi library competition<

>I believe shows the influence of the strong<

+GENETIC MEMORY+

>of Greek Revival Louisiana plantations<

^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

+GOOGLE+

>Eugene Ray / DeGruy<

+IRAN LIBRARY+

^^^^^^^^^^

#4). +METAPHYSICAL+

>collage graphics have been synchronistic<

>to my architectural design oeuvre and<

>express the French tropic influence<

^^^^^^^^^^^^^^^^^^^^^^^^^^^

+GOOGLE+

>Eugene Ray Architect<

+METAPHYSICAL+

^^^^^^^^^^^^

#5). +LIVINGSTON PARISH+

>Louisiana courthouse is one of two designs<

> I made for that parish while living in our<

+SANSOUCI FOREST+

>glazed pavilion jungle studio house<

>(the other was the parish hospital)<

^^^^^^^^^^^^^^^^^^^^^^^^^^

+OVERVIEW+

>my life as an architect/professor in California<

>encouraged the wonderful opportunity for<

+RADIANT ARCHITECTURE+

>designing visionary creative structures<

^^^^^^^^^^^^^^^^^^^^^^^^^

+LOUISIANA+

>encouraged my design oeuvre to respond<

>to genetic and regional organic influences<

+FRENCH TROPIC SYNDROME+

^^^^^^^^^^^^^^^^^^^^^^^^^

+HEAT+SEEDS+SOIL+RAIN+

+LIGHT=LOVE+

^^^^^^^^^^

>Eugene Ray, mfa, Architect<

>professor emeritus, sdsu<

^^^^^^^^^^^^^^^^^^

Wednesday, June 26, 2013

ARCHITECTURE'S COSMIC ROOTS

+COSMIC CONSCIOUSNESS+

>this seventh letter for Christopher Hawthorne<

>arrives at the heart of the discussion<

^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

+AHEAD IN THE PAST+

> like Lou Kahn , whose work I admire, looking
>into the deep past produces vital data<

>for profound architectural direction<
^^^^^^^^^^^^^^^^^^^^^^^^^^^

+CLUES TO OUR FUTURE+

>architecture<

+ARE IN OUR OLDEST+

>see Chris.k Dunn<

+EARTH STRUCTURES+

^^^^^^^^^^^^^^^^^

+TONIGHT'S PHOTOS+

>cosmic consciousness at the heart<

>of my design and teaching<

^^^^^^^^^^^^^^^^^^^^

#1). +COSMIC VISION+

>so important to the Alchemists of Paris<

>and the lives of Lecorbusier/Degruy<

+TEMPLAR TEMPERED+

^^^^^^^^^^^^^^^^^

>are found in the history of this ancient<

+ANTIKYTHERA MECHANISM+

(>solar-lunar clock<)

>please google for it's history that will<

+ANCIENT ALIEN+

>lead us to cosmic consciousness<

^^^^^^^^^^^^^^^^^^^^^^^^^

#2). +FRENCH VISIONARY+

>Maurice Chatelain member of the original<

>NASA team that put us on the moon<

+VERIFIED+

>all of my cosmic research in this<

>must read seminal book<

^^^^^^^^^^^^^^^^^^

#3). +SWISS VISIONARY+

>(with the DJED pillar device)<

^^^^^^^^^^^^^^^^^^^^^

>Erich Von Daniken is daily proved correct<

>in the Cosmic links he introduced to<

+HEAD IN THE SAND+

>sleeping earthlings in his radiant book<

+"CHARIOTS OF THE GODS"+

^^^^^^^^^^^^^^^^^^^^^

#4). +TWO OF MY DESIGNS+

>both Buildable Prototypes are found in<

>the pages of Earnst Burden's<

+ADMIRABLE+

>book on Cosmic Conscious architecture<

(>much of this is very fanciful but<

>All of my oeuvre is build able)

^^^^^^^^^^^^^^^^^^^^^^

#5). +RADIANT VISION+

>this is NOT a NASA photo but instead<

>work from my SDSU class of<

>(nineteen seventies)<

+SYNERGETIC ENVIRONMENTS+

>(cosmic consciousness)<

^^^^^^^^^^^^^^^^^

+"OUR OCCULTED HISTORY"+

>by Jim Marrs<

>is the thorough, well researched recent<

>book that in conjunction with<

^^^^^^^^^^^^^^^^^^^^^^^

+"THE GOD'S MACHINES"+

>by Wun Chok Bong<

^^^^^^^^^^^^^^

+WILL PROVIDE COSMIC+

>ancient alien<

+ENLIGHTENMENT+

^^^^^^^^^^^^^^

Eugene Ray, mfa, Architect

Professor Emeritus, sdsu

^^^^^^^^^^^^^^^^^^^^

Tuesday, June 25, 2013

EVERY PROJECT A PROTOTYPE

+INSIDE VIEW+

>for Christopher Hawthorne our<

+1969-1996+

>sdsu classes won awards<

^^^^^^^^^^^^^^^^^^^

+SDSU ENVIRON DESIGN+

>attracted students from all over and<

> many came from pacific isles<

+PHILIPPINES & JAPAN+

^^^^^^^^^^^^^^^^^

>patrons also sought designs<

>from me and I would do<

>my best to oblige<

^^^^^^^^^^^^

+SEVERAL PROJECTS+

>were actually constructed and<

>although I designed them<

+HANDS ON+

>students aided the effort<

^^^^^^^^^^^^^^^^^^

+PASSIFLORA+

>The magnificent tropical flower became<

>the logo of my work and in the early<

>days students helped build our<

+HANDS ON PROJECTS+

^^^^^^^^^^^^^^^^^^^^

(>when students were apprenticing<

+BUILT PROJECTS+

>our patrons were served free<)

^^^^^^^^^^^^^^^^^^^^

+TONIGHT'S PHOTOS+

>some of my design prototypes aided<

>by hands on learning process<
^^^^^^^^^^^^^^^^^^^^^^^

#1). +PHALAVI LIBRARY+
>competitions were also sought out and<

>the Iran national library was one that<

+EARNED MUCH CREDIT+

>until the revolution caused a halt<

^^^^^^^^^^^^^^^^^^^^^^^^^^

>Mario Lara and Yoshi Matsuhisa<

>built this beautiful model<

>from my original design drawings<

+RADIANT PHOTOS+

>were techniques I invented<

^^^^^^^^^^^^^^^^^^^

#2). +UNISPHERE+

>an expanded version was published<

>in the San Diego Union newspaper<

^^^^^^^^^^^^^^^^^^^^^^^^^

>Sean McNamie and Scott Burch<

>built another fine model<

^^^^^^^^^^^^^^^^^

+GOOGLE+

>Eugene Ray Architect<

+UNISPHERE+

^^^^^^^^^

#3). +BIOTRONIC STRUCTURES+

>were important to our annual effort<

>to explore color/light/energy<

^^^^^^^^^^^^^^^^^^^^

+RADIANT ARCHITECTURE+

>was researched and constructed in<

+SYNERGETIC ENVIRONS+

>classes I developed for this effort<

^^^^^^^^^^^^^^^^^^^^^^^

#4). +THE PEAK+

>was an international hotel competition<

>overlooking the Hong Kong harbor<

+UNISPHERE+

>openable suites was adopted for<

>maximizing the beautiful view<

^^^^^^^^^^^^^^^^^^^^^

+Chikako Terada was my assistant<

>in this very difficult project<

^^^^^^^^^^^^^^^^^^^

#5). +SILVER SHIP CABINET+

>aerodyne prototype furniture was another<

>design effort I made w/ the architecture<

^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

>Yieuman Yeung was the builder<

>of this Silver Ship prototype<

^^^^^^^^^^^^^^^^^^^^^

+GRATITUDE+

>fills my heart when I think of the effort<

+MULTIVALENTLY+

>we made to advance architecture<

>(several news articles note this)<

^^^^^^^^^^^^^^^^^^^^^^^^^

+STUDENTS FEATURED+

>tonight have become professors and<

+PROFESSIONALS+

>architects that cause much pride<

+RADIANT W/ ENERGY+

^^^^^^^^^^^^^^^^^

Eugene Ray, mfa Architect

Professor Emeritus, sdsu

^^^^^^^^^^^^^^^^^^

Monday, June 24, 2013

RADIANT READING REFERENCES

(>for Christopher Hawthorne<

>of the Los Angeles times<)

^^^^^^^^^^^^^^^^^^^

+ARCHITECTURAL ESSENCE+

>what more then just how<

^^^^^^^^^^^^^^^^^^^^

+INTENSE RESEARCH+

>in ancient esoteric knowledge offers<

>the background to my oeuvre<

^^^^^^^^^^^^^^^^^^^^^^

+EGYPTIAN+MAYAN+SUMERIAN+

>architectural history provides<

>important facts and data<

^^^^^^^^^^^^^^^^^^

+"ANCIENT ALIENS"+

>television documentary<

^^^^^^^^^^^^^^^^
>the History Channel's profound program<

>presents a key to advanced design<

^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

+THE 1947 UFO I SAW+

>as a boy has galvanized my work<

>and some reading references<

>provide expansive insight<

^^^^^^^^^^^^^^^^^^^^^^

+TONIGHT'S PHOTOS+

>intense research provides serious<

+RADIANT DESIGN+

>architects profound knowledge<

^^^^^^^^^^^^^^^^^^^^^^

#1). +ALIEN TECHNOLOGY+

>back engineered is found profusely<

>in this highly researched book by<

+WUN CHOK BONG+

>that holds the key to the future<

>by going deep into the past<

^^^^^^^^^^^^^^^^^^^^

#2). +CHRISTOPHER DUNN+

>egypt technology expert<

^^^^^^^^^^^^^^^^^^

>is the most qualified engineer to<

>provide corroborative evidence<

>of ancient alien technology<

^^^^^^^^^^^^^^^^^^^^^

#3). +SUMERIAN HISTORY+

>precedes Egyptian in evidence of<

>advanced alien technology data<

+ZECHARIA SITCHEN+

>in an impressive series of books<

>provided a lifetime's research<

^^^^^^^^^^^^^^^^^^^^^^^

#4). +LEONARDO DAVINCI+

>visionary architect of genius<

^^^^^^^^^^^^^^^^^^^^^^^

+STAR OF GRUY HISTORY+

>provided transcendental design concepts<

>long before they were adopted by<

>foot dragging public usage<

^^^^^^^^^^^^^^^^^^^^

#5). +FULCANELLI+

>research links the design of the cathedrals<

+SACRED GEOMANCY+

>to the amazing architecture of Luxor<

>and the history of French alchemy<

^^^^^^^^^^^^^^^^^^^^^^^^^

+FURTHER READING+

>please google key words from this<

>text linked to my writing over<

+EIGHT YEARS+

>first for GRUY family research of<

+FIVE YEARS+

>all found in this easy method<

^^^^^^^^^^^^^^^^^^^^^

+EUGENE RAY ARCHITECT+

+LEONARDO DA VINCI+

>(as an example)<

^^^^^^^^^^

+EUGENE RAY / DE GRUY+

+FULCANELLI+

>(as an example)<

^^^^^^^^^^^

+ALCHEMY+UFO+SITCHEN+

+ANCIENT ALIENS+

>etc, etc, etc, etc<

^^^^^^^^^^^^

Eugene Ray, mfa, Architect

Professor Emeritus, sdsu

Sunday, June 23, 2013

SYNCHRONICITY+ DREAMS=METAPHYSICAL ALCHEMY

+NATURE IS OUR BEST GUIDE+

>design as alchemical essence<

^^^^^^^^^^^^^^^^^^^^^^

+ARCHITECTURE IS METAPHYSICAL+

(>"lecorbusier and the occult"<

>Is a valuable reference<)

^^^^^^^^^^^^^^^^^^

+TUNED DESIGN VISION+

>this letter to Christopher Hawthorne was<

>Given a charge of ESSENCE tonight<

>by two Radiant Experiences< !

^^^^^^^^^^^^^^^^^^^^^^

A}. +TROPIC CONCEPT+

>a feature article in the N.Y.TIMES about<=

>JONES BEACH umbrellas made by a<

+MRS PETERS+

> crafts lady from the west indies<

(+NEW ORLEANS LINK+)

^^^^^^^^^^^^^^^^^^

B). +SYNCHRONICITY+

.>Marianne and I had dreams tonight<

+METAPHYSICAL+

>that were coordinated and set in<

+NEW ORLEANS+
^^^^^^^^^^^

+TONIGHT'S PHOTOS+

>my design oeuvre and teaching were<

>galvanized by our New Orleans<

+CREOLE ROOTS+

>(Photos were selected Thursday)<

^^^^^^^^^^^^^^^^^^^^^^^^^

#1). +PSYCHIC PROJECTION+

>the Essence of my Oeuvre can be traced<

>to our family roots in France and<

+NEW ORLEANS+

>Maya+Egyptian+Sumerian<

+TEMPLARS+

^^^^^^^^^

#2). +LOS ANGELES TIMES+

>article on my architecture and teaching in<

>the nineteen eighties after the<

+FRENCH GOVERNMENT+

>published my research in Biotronics<

+RADIANT ARCHITECTURE+

^^^^^^^^^^^^^^^^^^^^^^

#3). +MAYAN CONE+

> the Mayan influence in New Orleans<

>on my work & teaching was vital<

+WRIGHT & GOFF+

>both felt this powerful influence<

>fueled by organic radiance<

^^^^^^^^^^^^^^^^^^^^^

#4). +OEUVRE 1980+

>announcement of my retrospective<

>exhibition at San Diego State<

+UNIVERSITY+

^^^^^^^^^

#5). +THE SILVER SHIP+

>our home and studio in Lajolla for<

>over a quarter of a century<

^^^^^^^^^^^^^^^^^^^^

+GOOGLE+

>Eugene Ray Architect<

>Silver Ship<

+ALSO+

>Metaphysical<

^^^^^^^^^^

+TO FIND THE PSYCHIC ESSENCE+

>(corbu/wright/goff ref)<

+IN MY WORK & TEACHING+

^^^^^^^^^^^^^^^^^^^^^

Eugene Ray mfa, Architect

Professor Emeritus, sdsu<

^^^^^^^^^^^^^^^^^^^

Pages

Sunday, June 30, 2013

Saturday, June 29, 2013

Friday, June 28, 2013

Thursday, June 27, 2013

Wednesday, June 26, 2013

Tuesday, June 25, 2013

Monday, June 24, 2013

Sunday, June 23, 2013